Let’s Round Up and Call It a Decade.
I was fourteen when I sent out my first query letters. There’s a photo of the moment floating around on some hard drive somewhere: me at the UPS store in Rancho Santa Margarita, holding the stiff envelopes addressed for various literary agents in New York. I probably look annoyed, a forced smile, posing to appease my mom. I’ve always felt shy about this process–afraid to share the good or admit the bad. Even now, it feels weird to explain.
I’ll hyperlink to past entries in an attempt to make sense of what I’ve said here previously, in an attempt to connect the tangents of the last four years.
Anyway. Every agent I queried that round said no.
And every round after, too.
No. No. No. No. No. No. No.
(This, I guess, inspired me to write my personal statement for my grad school apps on how I THRIVE on noes–which was extraordinarily cheesy but finally landed me a Yes.)
Fifteen years old, I revised. I tried again. No and no and no. I revised some more. I tried again. A full request. A no. I edited and tweaked and turned sixteen and left high school. I wrote another book, finished it at seventeen while living in Berkeley. A double request followed. An almost yes, a summer of edits with an agent, an ultimate confusing no. I revised again and turned eighteen and moved to Colorado. A partial request. A no. I wrote some more, aside from two revisions on my second book, always working on that first manuscript. Nineteen, living in Humboldt County, I rewrote the beginning. A fire, a wildfire, but I let it die too fast.
I moved back to Colorado Springs to attend Colorado College. My focus was on school, not writing. The book was in the drawer. But then, my first summer after CC, I had a sinus surgery and rewrote it from word zero during my month on the couch. I was lazy. I followed the same plot and fell into the same holes. I went back to school. A writing conference that next summer. A full request I was hush about. I spent June and July and August revising like a fool for that request–switching from past tense to present, digging deeper but not deep enough. I knew this even when I clicked send. I was wrung out. I started my senior year at Colorado College and had some moving/Faulkner/flood panic attacks and wrote some weird short stories for workshop and drove around town alone when it all felt like too much.
Another no. This one felt big. A big no. It also felt inevitable. I blogged about it and then shook it off. I went back to writing. It was thesis season. This was last year. I thought I’d write my third book. I was ready to put my eight-year mess aside. But then the fire came. Ideas on ideas on ideas on how I could fix my old story. An understanding of the story, the REAL story. By December, I was in mad dash of rewriting. Real rewriting. Not following the same plot, the same scenes, but dealing with something almost entirely new. The fire from Humboldt County chasing me through all of the winter and spring.
I “finished” the draft and submitted the thing to my professor. It was my senior thesis. Fresh work. A new book inspired from the bones of that book I started when I was thirteen. I graduated and moved home and spent the summer rewriting the end, because I knew the end was limp. I cut the last ten-thousand words. Started in again. My goal was to finish and query before the end of August, before I moved to Alaska for grad school. I did, within a day of my deadline.
And then I didn’t move to Alaska, so I had time. I submitted the manuscript to Pitch Wars and made it in (!) and spent September and October gently revising under the nurturing guidance of Rachel Lynn Solomon. I was her alternate. And then the showcase happened. Requests! What! Within a single weekend, an agent read the book, and a phone call was scheduled. I read that email on my phone while on the drive home from San Jose with my parents. It was late and we were somewhere in Central CA. My dad insisted we stop for sugar. Starbucks was the first place we saw. They made me pose for photos. I couldn’t stop smiling and messing with my hair and it was weird and, I swear, my dad and I weren’t intentionally matching.
Then, a few days later, the call. The Call. An offer. Shock. I’m still in shock. It still doesn’t feel real.
Two weeks followed. More offers–from the Pitch Wars requests and the queries I’d sent out after the contest. On air. I was on fucking air. It’s the weirdest feeling: being wanted, hearing good things said about your book, speaking with people who believe in the story. It was the spin of all spins. I cried over the decision, but, somehow, I knew who I’d sign with early on: the agent who would challenge me the most, cultivate not just this book but my career, who gave me chills during our first call.
I accepted an offer of representation from Sarah Davies of Greenhouse Literary Agency in the backseat of my mom’s car, parked in front of the UPS store where I sent out my first queries at fourteen. This–the circularity–was not intentional, wasn’t something I realized until days after, but I love it. Ending the query trudge where it began.
It still doesn’t feel real. My having an agent. Sarah Davies being my agent. Finally (FINALLY) making it over this hurdle. I’ve been jumping at it for almost nine years. And it feels so good. It feels right.
I don’t have the exact number of queries I sent out or rejections I received between now and when I was fourteen (somewhere around a hundred). I lost count of the revisions (the lame attempts and painfully thorough) and the endless editing rounds and the critiques from friends and the cut chapters and the versions of the manuscript lost to laptop crashes. But I don’t think those numbers matter. Albeit some extended breaks for the sake of sanity and education, I simply didn’t stop writing. That’s how I’m here. I wrote and I rewrote even more and, you know, I’m so happy it played out the way it did.
I’m so, so happy.
So much is happening, and it’s weird to be exposed, to share this, to not be so ambiguous. It’s weird that my mom shared this news on Facebook before I had the chance to even shoot out a tweet and people I’ve never met know. And gosh gosh gosh I’m happy and also scared and nervous and thrilled to see what happens next. A succession of THINGS. This. The past month. This whole autumn. And what waits. Revisions with Sarah. Hopefully kicking Lyme disease in the ass. Moving to Alaska. New friends, new important people in my life. In some ways, a new life (with the same head, same me). Grad school and teaching (?!). Going out on submission (!!!!). Writing a second (well, technically, third/fourth) book sometime SOON.
What then? WHAT THEN! What is happening?
I do not know, but I like it.