My first semester of grad school, I took Forms of Creative Nonfiction. Apart from blogging and an accidental memoiristic short story I wrote in undergrad, I had little experience writing creative nonfiction. The class was intensive, invigorating–my favorite part being the weekly creative samples.
In one particular instance, I was told to write a narrative “about a conflict from three different voices.” I can’t recall the specifics. I think one voice was supposed to be my own, close and intimate, revealing. The other empathetic to the others, and the third removed, report-like. I might be remembering this all wrong; it doesn’t matter.
I’ve never been good at following rules: I showed up to call with a two part narrative. The first part was from my perspective, my voice, closer to how I journal than anything else. The second part was third person, with the close interior from my dad’s perspective. A creative essay depicting a conversation in a crowded car about me and mental illness and Snapchat. In class, the professor and a fellow grad student read this essay out loud. I scratched my hands and listened. Outside, it was -40F with an extra windchill. And after class, I walked home, my own words itching.
A year later, I returned to the essay. A year later, I knew I wasn’t staying in Alaska, wasn’t staying in the program, and I figured I ought to submit something somewhere while I was in grad school for an MFA. And, hey, while I’m at it, why not go for the flipping moon? I’ve always loved The Rumpus. And when I thought of this little sad essay, I thought of the Rumpus. I could only submit it to The Rumpus. It was a long shot, an improbable shot; immature and native. A whatever. My I love you, The Rumpus, read my whiny writing, thanks, please.
So, on a Saturday night after midnight, I submitted the essay to The Rumpus. I woke the following Monday morning with an email from Tracy Strauss. She liked my essay. Would I be interested in doing a revision?
I am always interested in a revision.
We did a week of back and forth of edits, some big, some tiny. Within days, the essay was officially accepted. And now, some two months later, the end result is published at The Rumpus. My first piece of creative nonfiction published. I doubt it’ll be the last.
Please read it here:
I’m proud of “Nothing’s Changed” and I’m scared of it and I’m screaming to the skies that it exists and it takes me back to the episodes of Alaska, to what I lost and gained and forgot. I’m medicated now. We’re still figuring it out. I’m safe. I think I’m safe. My psychiatrist in Fairbanks quit on me a week after The Rumpus accepted the essay for publication, which felt funny, felt ironic. But I’m stable, mostly. I have an appointment set for once I arrive in Seattle. Though in some ways, it does feels too late. What could I’ve stopped, calmed, had I not waited until it got so bad that I was scared of my own brain?
Would it be weird if I did a sort of acknowledgements now?
Thank you, Tracy Strauss. For your elegant, keen eye, and for hearing my voice and giving me a platform to tell this story. Thank you, Daryl Farmer, for pushing me to write outside my normal genre, allowing me to bend rules, and reading my work out loud in class–along with Whittier Strong–in such a way that I couldn’t get the words out of my head, in such a way that I was led back to it.
And I’m grateful to my mom and dad, who have always listened, who have never doubted. I’m thankful to my dad especially, in regards to “Nothing’s Changed.” The revised, published version doesn’t include his side–the bits of his life that aren’t mine to share, his love and patience and understanding and urgency to defuse a wound, all the elements and more that make him such an incredible father.
Maybe this is cheating but I’m compelled to share the original ending to “Nothing’s Changed”–an essay that was once two parts and now is only one. Sharing the original final overly-dramatic paragraph in honor of my dad who has seen me at my worst, and supported me even from there, who has loved me and held me even when flailing.
Like I said, fuck the rules. Here’s to breaking them.
He understands the pain is real, that something isn’t right. But when driving a full car down the I-5 on Thanksgiving Eve, he only wants to laugh. Wants to warm what’s frosting in the back. He doesn’t want a reason for the middle sister to cry, so he tries a joke instead. He understands we hurt, I hurt. The thing is, though, he’s only seen possession of a diagnosis worsen scars. It’s just a word, he says. It’s only a word. You’re human. You’re human. You’re human. This is his way of saying we’ll be okay. I’ll be okay. This is his way of saying, it’s okay, you’re still you, you’re here. You’re safe. You’re human, he says. He’s saying, you’re doing just fine, he’s saying, you’re doing great. You’re human. I love you. I hurt too sometimes. We’re okay.
Cheers to The Rumpus and mental illness awareness. Cheers to stable days and the hope of better health care, the hope of sanity, the hope of peace.
Hello, hello, hello! IT’S FINALLY TIME FOR PITCH WARS TO GO INTO BEAST MODE!
As a Pitch Wars 2014 Alternate Alum (did I order those words right?), I’m THRILLED to finally pay it forward as a 2016 YA Mentor. Pitch Wars drastically changed my life by leading me to a book deal and connecting me to an incredible community of writers, many I now have the privilege to call close friends.
PITCHWARS PITCHWARS PITCHWARS OH GOODNESS.
I’m excited. Are you excited? If you want a relentlessly enthusiastic mentor who may overuse capitalization, hey hey, I may be your girl… If you write YA. I’m only accepting YA!
But I’m getting ahead of myself. Let’s go over the logistics.
WISH, WISH, DO YOU WISH TO READ MY WISH LIST?
- Contemporary is my first true love. Give me your gritty, raw contemporary YA. Yes, please. That said, I’d also LOVE (love love love) to find thrillers, urban fantasy and light fantasy, speculative fiction, horror/paranormal, and magical realism in my inbox. Am I being greedy? Maybe. So what.
- In all genres, I like it dark and layered and surprising and weird.
- You’ll have me salivating if your story is firmly grounded in our world with subtle questions of surreal, magic, absurd, whatever. Psychological elements are welcome and if you can scare me, bravo.
- If your novel has an unreliable and/or unlikeable narrator, I WANT IT NOW. But even more so, voice voice voice. I want to be hooked on the first page by your narrator’s voice, whether it’s with humor or pain or a bizarre view of the world.
- I crave a story with HIGH STAKES that keep your characters in near constant momentum. I want to see fresh ideas and twisty spins on the norm.
- Who do I wanna meet? Characters I’ll fall in love with, who I’ll hate, who feel as real my brother. Characters who are problematic and deeply flawed but are trying, who try and fail or try and prevail.
- I lean towards the literary but I’m also a lover of novels that straddle the cusp of literary and commercial (what silly terms these are! if you can blast through them–go, go go go). I ache for prose that has me reaching for a pen to underline. Give me that subtle lyricism.
- WEIRD structures! OH GOODNESS WEIRD STRUCTURES (ie. non-linear, backwards, dual POV, whatever). I like them. I’m way into them. I’m no master, but they are my jam.
- I like my books like I don’t like my life: MESSY. Tough subjects, taboos, and social issues such as (but not limited to) eating disorders, assault, drug abuse, mental illness, etc. If it’s heart breaking and handled with grace, send it my way.
- This should go without saying but yes, yes, yes to diversity; I’m particularly keen to see more f/f representation on the page.
- Make me cry. Okay, well, that’s easy. Make me laugh in between crying? YOU’RE RARE AND A GEM AND SEND IT TO ME.
- Visceral settings! OH MY DO I LOVE A STRONG SENSE OF PLACE. I want to know where it is, know the taste of the air and the scent of the trees. I want to be compelled to Google the setting, look for it on a map, and if it’s fictional, be convinced otherwise.
- If your book has a layer of romance that isn’t the main focus, glorious. But main focus or not, I want to see deep relationships that evolve and grow and burst. I love slow-burning romance and I’m intrigued by borders–by the difference between love and obsession, friendship and lust, and all those boundaries that so often blur.
- Have a somewhat apocalyptic setting that’s not THE PLOT but is still intertwined with the characters’ everyday? SEND IT TO ME. I love to see weather playing more of a role than background–interfering with everyday life, with how characters behave, enraging the atmosphere.
Okay. That was a lot but, hey, now you know how to truly pique my interest!
I am NOT the best mentor for high fantasy, science fiction, and historical fiction. LET ME READ IT SOMEDAY (I devour all of it) but you deserve a mentor who knows those ropes better than me.
…Still with me?
SOME OF MY FAVORITE BOOKS THAT MATCH MY WISHLIST
- Anything by Courtney Summers
- Anything by Laurie Halse Anderson, particularly Wintergirls
- The Weight of Feathers by Anna-Marie McLemore
- Pointe by Brandy Colbert
- The Walls Around Us by Nova Ren Suma
- Lovely, Dark and Deep by Amy McNamara
- I’ll Give You the Sun by Jandy Nelson
- Beware the Wild by Natalie Parker
- Dare Me and The Fever by Megan Abbott
- This Savage Song by Victoria Schwab
- The Love That Split the World by Emily Henry
- Far From You by Tess Sharp
- Scarlett Epstein Hates It Here by Anna Breslaw
- Nearly Gone and Holding Smoke by Elle Cosimano
- Wicked Lovely, et all. by Melissa Marr
- White Oleander and Paint it Black by Janet Fitch
Ignore the fact that a few listed are not YA, also this list is SO not close to complete.
SOME OF MY FAVORITE TV SHOWS
(though I admittedly don’t watch much TV at all–feel free to recommend some show to me!)
- Gilmore Girls
- Breaking Bad
- Skins (UK)
- Jessica Jones
And if you can comp the movie Swiss Army Man (2016), YOU BETTER AS HELL SEND THAT BOOK TO ME.
MENTEE, MENTEE, WHO WILL BE MY MENTEE?
You are dedicated, self disciplined, and ready to push yourself past your limits while having a good time. You think your manuscript is nearly there but know it’s not perfect and recognize it may need some serious revision time. While you know the heart beat of your novel, you’re open minded to new ideas, dramatic cuts, extreme changes. You care. I’ll never demand you agree or complete a specific edit, but I do want you to think it through and be ready to answer questions! You must believe in your writing, be committed to your manuscript, know your story’s core. You’re ready to work. Seriously. You might not “win” Pitch Wars, might not even receive an agent offer, but your manuscript WILL be stronger and primed for querying.
Also, obviously, I would love it if your friendly! Like, not weirded out if I constantly announce that I’m sending you hugs and tweet at you on a regular basis.
MENTOR, MENTOR, HOW AM I A MENTOR?
I love and care with full force. I don’t do a thing half-hearted and if I choose you and your manuscript, you can bet that I will give you all that I have to help you, push you, to better develop your novel into a work of dynamite. You can bet that my feedback and critique letters will be just as !!!!!enthuuuusiaastic!!! as this blog post. I will fangirl like no other. But I will NOT sugarcoat and I won’t shy away from telling you WHAT I LOVE AND WHY I CHOSE YOU AND OH MY GOSH LET’S GET THIS THING OUT TO THE WORLD, just as I won’t hesitate to tell you what’s not working. I want your novel to GLOW and be sharp and tight and rock it at the agent round and subsequent submissions.
I’ve been on the receiving end of many editorial letters, so I know how difficult it can be to approach revisions (I still struggle! I still struggle A LOT!). As your mentor, I promise that I’ll be here to support you, to help you get off the floor, talk through the roadblocks and more.
We will communicate primarily via email and, if you’re into it, text messages and/or some form of instant messaging (Gchat, Skype, etc.). I’m not a huge fan of phone calls or video chats, but if you feel it’d be helpful–or we just get super pumped and need to shout and cheer together–that’s definitely an option.
Also I have a dog named Bellatrix who I very much I adore and I think it’s important that you know that!
STILL WANT TO KNOW MORE ABOUT ME?
Writing and reading (particularly YA) have been my ultimate passions for over a decade. I’ve been working with critique partners and editing and querying off and on since my middle school fan-fiction days. I wrote my first novel at thirteen, revised for an agent at fifteen, wrote a second book at sixteen, and–though I didn’t sign with an agent until some eight years later–I was constantly learning through the thick of it.
If you go back through my posts here on this wee site of mine, you can read about my various detours of the long haul journey. But, ultimately, after battling as a Pitch Wars alternate in 2014, I signed with my agent Sarah Davies at Greenhouse Literary, and we sold my debut, NOTHING LEFT TO BURN, to Marissa Grossman at Razorbill Penguin last March.
(I’m still very much celebrating and, if the premise intrigues you, it’d make me smile if you added it on Goodreads!)
I earned my BA from Colorado College in English and Creative Writing, where I was known for my lengthy, enthusiastic feedback letters. I’ve completed 3 semesters of an MFA in Creative Writing, which is more noteworthy not for the graduate workshops but for the experience of teaching composition (which I LOVED) and tutoring at the campus writing center. I know how to work with all writers, all ages and levels, both in terms of idea and approach but also the technical and the flow. Starting in September, I’ll be teaching ESL in the Seattle area.
Wanna know non-professional me? Peruse my Twitter, my Instagram, whatever. Say hi. Though I’m often shy, I love love love new friends and adore being a part of the Pitch Wars community. You can also email me at firstname.lastname@example.org.
Some trivia: I’m addicted to moving, a spoonie, don’t have a spleen, love tattoos and piercings (though my acquisition of them has slowed since entering my twenties), miss Alaska already, crave rain more than any weather (though a good snow storm does compete), have wild insomnia, prever -30F degrees to 80F, must live near mountains, adore hiking when my body is cooperating, completed my Bachelor’s degree in 2 1/2 years, started writing seriously after a fabulous stint of Harry Potter fan-fiction, lovelovelove ballet even if my floor work is atrocious, drink too much coffee, have an obsession/irrational fear with natural disasters, potentially allergic to the sun (or so I say), and am often too hyper.
Long story short: if you have a YA manuscript that’s compelling and you’re ready to work with a mentor who is eager and honored to dig into your work, do consider submitting to me!
THIS AUTUMN IS GOING TO BE MAGIC.
~~Please be sure to check out EVERY FABULOUS YA MENTOR’S BLOG BEFORE YOU SUBMIT!~~
June, June, what are you?
I’m proud of my work in June. I’m devastated by June. Nation-wide, global-wide, June hurt.
June–there were only a few days of June Gloom in Orange County. A few days where, when I woke early enough, fog gripped the canyon hills and blurred out the lower valley. As a teenager every June morning–no, almost every morning apart from those in July and August–were drenched with that fog, that glorious gloom. This month, we only had a single morning where I couldn’t see beyond my backyard’s turquoise metal gate. That was my favorite day to write.
I’m finally writing again. Did I mention I’d kind of unwillingly stopped?
I think I hinted, referenced, evaded the topic. Alaska wrung me out dry. Alaska inspired and aggravated. In Alaska, I was diagnosed with bipolar II and PTSD (which I wrote about while in Alaska, and that essay will be published by the Rumpus some week soon). In Alaska, I only wrote if it were required or NOTHING LEFT TO BURN revisions. I don’t need to keep discussing how my mental state was in Alaska, how my body and brain conspired, how the sun kept me spinning in the worst way. I’ve already explained.
I attempted to start my “next book” back in September. I wrote what I thought was a novel outline, play scenes that sketched its core. It was more of a short story than anything and people liked it. I attempted to start planning, because I was told by important people that I needed to outline, to learn from the mess I’d made in the early days of NOTHING LEFT TO BURN. I was told I shouldn’t start drafting until I knew the heart of my new book, until I knew the end, every twist. This froze me. This had me on the floor, making notes with arrows, making notes that stated I don’t know. Attempting to change my writing process while being out on submission and receiving rejections and then having the dream come true, all the while my mind cracking every day, all the while trying to fix my brain, was a lethal combination. Long story short: I didn’t write much. I was stuck. I was cold.
There is a strange, heavy sense of shame when you sell a book after having not written a fresh word in what feels like years. I will never let myself feel that again. I’m a writer, even if I’m not writing. Even if I’m in a drought–that’s okay. I’m a writer.
So, in May, I left Alaska with what I called a “muddy rambling novel plan” (which really is a glorified term for a messy, playful synopsis), but I felt as if I had nothing. As if my brain had shattered so terribly up north that I’d lost the spark. I would never write again.
Instinctually, I knew this wasn’t true. I was hopeful. I was eager. I was ready to move, to drive those 3000 miles, to find my discipline and love for writing again. But I was scared. God, I was scared.
The first day in June, a week after I’d returned to California, three days after I visited her, cried and told her I love you, thank you, I love you, my aunt passed away. She fought breast cancer for over some twelve years. Half of my life. My aunt who said why not? why the hell not? when she heard that I wasn’t going to apply to Colorado College because I didn’t feel I was equipped, didn’t feel worthy, didn’t feel I had a shot of ever being accepted. My aunt who loved fiercely, who was so intimidating with her strength and grace and elegance and determination. My aunt passed away and, it’s strange, because my greatest fear for the last two years was that she’d go while I was in Alaska before I had a chance to say goodbye.
This is why I went home for Thanksgiving. To say goodbye, to see her. But I was too scared to say goodbye. Just as I was too scared to say goodbye to Alaska, the friends there. And this is sounding selfish, like I think my aunt held on for me to get there in time, which is by no means the case at all. Coincidence is all it is. I’m so incredibly lucky, and it’s so odd, that I was so fixated on saying goodbye adequately in May, only to have to say goodbye in the truest of ways on the first day of June. Say goodbye to my aunt. Say goodbye and watch my mother’s heart break.
June. June. What did June do?
The hurt. The grief. The losses. The what the fuck is happening to this world.
On the twenty-ninth day in May, I stared at the four pages of my next novel’s unfinished planning ramble and I cried. My mom poured me a glass of wine. My mom, who has shouldered this month, this month of losing her sister, the past four months of being at her dying sister’s side, my mom who has given and given and given, this month, this past year. Serving others. Sacrificing her time, her writing, her healing. My mom poured two glasses of wine and she forced me to talk about my writing and I cried.
We talked and she asked questions and I cried and I retreated to my room and, dun dun dun, I opened up a new document. I wrote. I played. I screamed a fuck you to thorough planning, to total I know it all outlining. That’s not how my brain works and I’m not interested in doing it one specific way. I wrote. I fell in love with the story. I fell in love with writing again. The discovery. The surprise. I channelled fourteen-year-old me: the girl writing in between homework sessions, writing when sick, writing as both an escape and a form of play. June hurt in so many ways. So I adjusted my mindset, reprogrammed the approach, and I let writing messy–playing with this new weird muddy story–be my play, my solace.
I had to allow writing to again be an act of healing.
And when I hit 20k words this past weekend, when I started to feel my wobbling, I reopened that planning ramble. I filled in more details and I expanded. This is how I will write this book. Discovery. Some planning. Fucking up. Outlining. Re-channeling. I’m expecting to start the next BURN revision in two weeks and I’m aiming to finish this zero draft by then, so I have it, so my brain has something more to focus on than this tired, sad world. Because writing gives me hope. This zero draft will suck. No one will see this draft, except maybe my boyfriend who read that accidental short story in October, maybe my mom who is my greatest reader. But, ultimately, I will outline this next book through the zero draft. I will write. I will rewrite. I will write.
I have many more novels in me, novels that will fail and instruct me, and novels I’ll be proud of and hold close. And I’m promising myself this: I’ll write in the way my mind demands. I will write it my way and it’ll be just fine. Because why not? Why the hell not?
My aunt will never see my first book, or any of my books, in print.
We’re all so ready for June to end. We’re all so wrung out by 2016. I want to hug and spread love and cry with those who hurt. I do that sometimes. And I write. I write not for my career as an author or because it’s what’s expected of me as a debut author. I write because it’s how I say goodbye, how I understand the hurt that festers, how I listen, how I calm myself so I can be here.
My mom sent photos as I wrote this. She’s in Big Sur at Esalen, at a writing retreat with Cheryl Strayed, Steve Almond, other incredible heart healing writers. A retreat that she was signed up for last year, but her granddaughter was planned to arrive that week (and she did–my niece’s turns one tomorrow), so she cancelled. A retreat that she was on the waitlist for this year, that she thought there was no way for her to go because her oldest sister was dying of cancer and she needed to be near. Esalen called my mom the week her sister died. She was off the waitlist. My mom, who I haven’t seen take a day for herself this entire month, a day to spend in bed, or in her garden, a day of quiet to try to heal. I told my mom go. Please go. Go to the coast, go write, be selfish, give yourself this gift.
My mom is in Big Sur for the week. She says she not working on her novel but writing about her sister. She says she’s skipping assigned reading and listening to women play the guitar under the stars, talking to other writers in the hot springs. My mom will end June there, spend the first morning of July there.
July, let us heal and write. Let us move and act on our pain and listen better and continue to say goodbye.
We did it. The roadtrip. 3,434 miles. Google Maps says that’s 59 hours of driving. We estimated 2 weeks, anticipated 10 days but in the end made it in 8, with one full day break. We drove. It hurts my brain and my hips to really think about the distance. My poor car needs an oil change, a total check up. My poor car? She didn’t quit. We drove with such risk. No spare, despite knowing the poor road conditions and the car’s heavy load and there often being no towns–no passing cars–for hours and hours and hours.
In Beaver Creek, Yukon, a man told us he got a flat. His friends from Anchorage were driving it up to him because the nearest full-serving tireshop was in Fairbanks. After that exchange, I drove with a clenched jaw until we reached a real big city that had to have my tire size. Fairbanks was six hours, seven, eight, ten hours, two days, three, four days away.
This roadtrip was different than the one we completed in August, when it was California to Alaska and not Alaska to California. August was planned so that we only drove every other day. On off days we wandered cities or hiked, moved our bodies, drank with friends. In August, we skipped most of the Canadian drive and instead took a four-day ferry and slept on the desk in a tent. Driving driving driving every day with no friend retreats is a different thing.
This roadtrip was glorious, painful, whatever. We did it. I’m so happy we did it, made it, left, drove the roads that people dream of crossing.
Even after getting into that packed Mini Cooper for 7 days straight to drive all day–sometimes not seeing other cars for hours, sometimes driving on unpaved road that hurt my bones–after becoming dull to music, dull to crying, dull to unfathomable sights and endless mountains that still had me keening despite my being so dulled, even after giving in to Outlander on audiobook–even after hearing I had a reason to get to California sooner to say goodbye to someone I love–we were still alert, sort of smiling. Or at least I was. Maybe because I’d just had my first coffee of the morning.
At some point, I think as early as the first day, I stopped taking photos of everything that made me squeal. I became more selective with what I chose to capture and tried to let go, be there, wherever I was. On some days, I hadn’t slept and it hurt to sit because my knees are bad and sitting in my car requires very bent knees. On all days, I drank more coffee than I ever have and ate at least two roadside soggy sandwiches.
I’m already missing it, at least glimpses of it. I’m already nostalgic. I still haven’t washed my car. I’m driving around shiny south OC in a dirt-covered Mini with Alaska plates and a giant cargo box on top. There may be some pride involved with my procrastination to wash it.
And when I finally drove south enough for a real night? The first night it got dark-dark? Like not just a dim twilight but I CAN’T SEE OUTSIDE IT’S DARK AND LOOK STARS dark, on day 3 or 4, I don’t know, I howled so happy, so relieved.
The next day, we drove through sun and rain and snow. The Northern Rocky Mountains, a touch of home. Connected to Colorado. I’m too sentimental. I called it a blizzard. Regan laughed at me and we argued about the snows of Indiana versus those of Colorado and then we just drove through the snow until we reached the end of the day’s road.
Southern British Columbia is a damp dream. Like Scotland. Or maybe I only think that because we were listening to Outlander as we made our way through it, I don’t know. But we were through the worst of the drive, the most remote, the risky portion, and it felt so good on the eyes and mind. The rain. All that rain. It only made my car more muddy.
If you have the option, drive the Sea to Sky Highway. But please, take a piss before speeding through the bulk of the curving knuckle-gripping mountain way. Don’t make my mistake. Or do. I have no regrets. It was mesmerizing. It was home. Go through Whistler (because at this point you’ll have no choice) and be confused by the sudden affluence, by its comforting similarities to Park City.
Vancoooooooouver! I love you, I do. I have since 2014 (or really 2010 when I did my first Vancouver research) and still do.
In Vancouver, we stayed at a harbourfront hotel. A treat for making it through Yukon, through British Columbia. A farewell to British Columbia. It was nice.
The next day, I started paying rent in Seattle–a storage unit, in which we emptied half of the car into, I put much of my life into. A commitment to Washington. We were only in the city for a few hours. There was an urgency to go further south, to finish the drive. We stayed in Portland with friends. The next day, we drove 10 hours to the Bay Area, to my older sister, to my darling niece.
We took our first day off. A day off from driving before the last final stretch. It was a delight. I wore a dress and boots, not my jeans and a beanie and some grimy tee. We drank wine and I played with my niece and we just fucking relaxed.
And then, the next day, 7 hours down the 1-5, through Los Angeles rush hour traffic, then then then then, the roadtrip was complete. Over. A little over a week doesn’t sound that long but time warped up there on the Alcan, somewhere between the Yukon and British Columbia. I live in California now, for a few months. I’m writing every day. I’m sleeping and healing and will be seeing too many doctors next week and next month.
Why the hell am I already nostalgic for the roadtrip?
What is happening in Alaska? What’s Alaska?
17 months in Fairbanks, Alaska. Okay, fine, 17 months minus a brief interlude (in which it still felt like I lived here) last summer when I needed night so bad that I flew south a few days after summer solstice and didn’t come back until last August, via my Mini Cooper, which is now stuffed to its limits. And upgraded with a roof cargo box. It took me moving my whole life in this little clown car some times to finally make the upgrade. About time.
(Okay it also took me moving another person’s entire life and, after today, can I just say I’m so exhausted with moving in this damn car, of buying the same kitchen essentials only to ultimately give them away?)
17 months. I only stayed in some cities for 4 months. 17 months, for me, is a lot. I have so much to take away. Moments tucked and hidden, forgotten, saved. Hips swollen from climbing up rocks too fast and sitting at a old desks for too long. Mosquito bite scars on my legs. Experiences that will take me forward. A greater understanding of my own brain, my body, my limits, my needs–I think.
I’ll miss Fairbanks in the most particular, pained ways. I already long for the winters. The cold that kills, that freezes the white and frost into place. Plugging my car in at night, the ordeal of layering up just to take out the trash. And maybe I’ll even miss the atrocious speeding springs, the stagnant summer–even the shiny navy sky at midnight in May. The craze, disorientation, that comes from near constant daylight. The hours I lost to dizzying hyper-speed thoughts, hours slowed by I don’t even know how to explain it hurt.
Now to drive 3000 miles south, away, through Canada, down the coast. Plans changed again and may evolve once or twice more–but no more Utah (it was playing it safe and stupid and I’m antsy for Washington). A two to three month reprieve in California to see doctors and take my dogs on walks at night, in the dark (!) canyons of my home. And then, sometime around August, crossing my fingers, back north, straight to somewhere-around-Seattle.
Or maybe not. We’ll see. Priorities: health, BURN revision, finding a new home and a job that involves some form of teaching/tutoring/mentoring (please), drafting new (literally) muddy book.
Farewell, Alaska. I’ll keep talking about you, I suspect, always. I don’t think my time here is necessarily quite over, but we’ll see.
What’s great about the above photo is–if you don’t know what to look for–it could be taken in Alaska, Colorado, California. I’m not quite sure why this pleases me.